When you were a kid, did you ever feel like *nothing* ever happened to you? Like anything, anything at all, would be a huge improvement over the nothingness you are currently experiencing?
Thirteen year-old Henry, the main character of Joyce Maynard's new novel, Labor Day, has felt that way for years. After his parents' divorce, Henry's mother, Adele, transformed into quite nearly a hermit, ordering even basic necessities from catalogues, and Henry's life slowed to an isolated crawl during the summers. Just before school starts, at the beginning of a steamy Labor Day weekend in his small NH town, Henry's life changes when a bleeding man in the local big-box store asks him for help; he needs Henry and Adele to take him to their house. Hours later, sitting in their kitchen, Frank admits to being an escaped prisoner from the local penitentiary, but rather than turn him in, Adele lets him stay, and the two begin a strange and seemingly-fated relationship. Henry also takes strongly to Frank, and the house at the end of the cul-de-sac becomes a strange shangri-la for all three lost souls until Henry runs across a strange new girl in town whose paranoid outlook puts fearful ideas of abandonment in his head. It is then that Henry has to choose - does he save Frank, and his mother's newfound happiness, or does he save his own familiar life?
While the acceptance of a single woman taking a bleeding mad to her home is a bit of a stretch, I was willing to buy into it for two reasons: one, the novel takes place in the mid-80's in a small town, where people would be less paranoid about helping a stranger, and two, the town is in NH, where I grew up, so I can tell you that people tend to keep to themselves and out of other people's business. That Adele wouldn't have asked first what was wrong with Frank isn't all that surprising, particularly 20 years ago.
As long as you can accept Adele's decision, the rest of the book is an easy swallow. Right from the start, the reader roots for the scenario to somehow end well. Aside from a very few moments at the beginning when you wonder what Frank's real personality might be, it is evident that his arrival is a huge turning point for all involved. For his part, Frank almost immediately becomes the man of the house, fixing what's broken in more ways than one. Adele blooms in the newfound attention Frank showers upon her, and Henry comes into his own, out of his shell even when the inevitable occurs.
The characters are quite likable, and easy to identify with. When the stories finally begin to emerge - Adele's tale of guilt and despair that explains her hermit-like ways, and Frank's revelation of the horrifying coincidence that led to his imprisonment - it becomes apparent that the two are, in fact, fated for each other, and it's easy to see why each would be willing to bet everything on each other. Henry's unique situation - young enough to be jealous of his mother's attentions, old enough to be jealous of sexuality in his home, damaged enough to accept even this tragic figure as a father-substitute - is played very well. The young girl he meets, and her strange issues, are a little too conveniently introduced, but her exploitation is necessary to bring about the inevitably approaching storm. The epilogue ties the tale together in a very satisfying way; I was extremely happy with how things turned out, even with the initial heartbreak for all involved.
Rating: four stars: interesting premise, likable characters, heartfelt denouement
Saturday, June 26, 2010
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