Tuesday, March 16, 2010

  Review: Ladies and Gentlemen, The Bible!, by Jonathan Goldstein

I decided to read this humorous collection of short stories, which is based (very) loosely on those of biblical characters, after hearing the Goldstein read the first story, Adam and Eve, on NPR's This American Life. The combination of the snide humor and his dry voice was irresistible, and I went out of my way to order it from inter-library loan.

When I say that the shorts on this book are loosely based on the tales surrounding each character's situation in the Bible (and, actually, the Torah, since it only deals with the Old Testament), I mean to say that these stories are to the original work what Dennis Rodman was to basketball: a much flashier, more intensely-imagined figment that gives depth where you weren't even originally aware that you needed any. For instance, the story that drew me in, Adam and Eve, is cleverly told by the beguiling snake's point of view; in between learning what an undeserving schlemiel Adam was, and how leggy and earthily sexy Eve was, the reader also gets a glimpse into what could very well have been the snake's motives for enticing the pair towards the apples - jealousy, frustration, an inflated sense of self-worth.

My other favorite story was that of Jacob and Esau, the brothers whose mother favors the younger brother so much that she has him disguise himself as his brother to fool his ailing father into giving him his all-important dying blessing. The original Bible is not a work that discusses the inner feelings of its characters, and Goldstein fleshes out the brothers and their mother, poking into the rotten recesses of Rebekah's brain to expose her almost (reverse) Oedipal complex, and allows Jacob the voice to express his own guilty anguish at having to endure the forced agenda his mother has in place for him.

The other stories - particularly that of David - weren't as compelling to me, and in fact the book gets a bit stale as the chapters go on. Goldstein uses the same formula to humanize each tale; this works fine in several of the stories where there are two main characters to carry the plot, because the two together provide enough material for there to be a decent amount of play between them. However, in the stories where only on character is the main focus, such as The Golden Calf (which focuses on Moses), or, again, David (which is also waaay too long for what it is), Goldstein increasingly uses lowbrow humor - repeated foul language, bodily functions, and sexual acts - to try and create material. While I have no problem with any of these things on their own, the problem with their predictable repetition is that the entire work begins to come off as having been done by a middle school boy bored in Sunday school.

I attempted to download the book from audible.com, thinking that perhaps it needed his vocal interpretation to really make the final stories palatable, but alas, it is not offered there (which surprises me). Hearing him read it aloud in his wry voice may in fact downplay some of the childishness of the later chapters. As the book stands alone, however, I would recommend either getting it from the library, or checking out the This American Life podcasts where Goldstein reads selections from the book aloud. You can stream Cain and Abel here, and Adam and Eve here. I really recommend listening to Adam and Eve; it's really quite witty and interesting, and is only about ten minutes long.

Rating: three stars; Several witty interpretations scattered among lesser-quality boyish humor

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